Monday, June 4, 2012

WHY GHOST KIDS RULE (and why I am doomed to wear white leather pants in hell)

Last night, Saturday the 2nd of June, we filmed most of what is going to become our next music video for the song "Un-hypnotized". It was an epic night of amazing creativity that brought together a proper crew of thinkers, dancers, dreamers, lovers, super-stars and lovely human beings of all kinds.

The best thing about it was that it just developed and wasn't planned in any way. When we made the decision to have an audience play quite an important part in this shoot, we just agreed to bring 3 or 4 people each and see how it all works out. I don't want to give too much away here, but what happened next was really amazing.

You can probably tell just by looking at the pics. Quite a congregation we had there. Great fun to be around and extremely multifacetet. In fact if our director, the visionary Arian Soheili, hadn't worked everyone quite so hard, we could probably have made some head-way towards negotiating world peace during the after-party. As it were, we were all just a little exhausted but very happy with the results, so stuck to drinking and ranting at each other.

One of my friends didn't have white pants to go with the all-white theme, so, with the help of another friend we got him a pair before the shoot. When I jokingly complained about what on earth I would do with this kind of leg-wear after the night, someone pointed out that 'at least they're not leather". To which I replied

"In hell, they would be. They would be white leather pants".

Well, we all know you don't tease the devil, so I guess that's what I'll be wearing..in hell..now that I've said it.

A million thanks to all of you who came and helped us make something really special.

And stay tuned everyone. This will be out very soon, along with the UG album. Hope you'll dig the results.

Wednesday, May 23, 2012

ON HER MAJESTY'S RADIO

These last couple of weeks have been quite a buzz. Woke up on a Monday and turned on a little BBC radio over morning coffee when "Holes Into The Night" came on. On the Steve Lamaq show, no less!

This is the nation-wide indie rock drive-time show over there and yes, kind of a big deal. Was amazing to hear our single on there, and a little research brought to light he'd been playing us for a few weeks already. Check out the playlists below. Good company, too:

http://www.bbc.co.uk/programmes/b01gkc5p
http://www.bbc.co.uk/programmes/b01gxq67
http://www.bbc.co.uk/programmes/b01hljzd

A few days later we had all-round Indie-rock-cool-chick and violinist extraordinaire  Lisa Germano in for a studio session. She was amazing and we ended up with some gorgeous string parts on the album.

We also managed to meet both Jason Bentley and Chris Douridas  (KCRW) and hand them our single personally. Time to put in those requests, punters!

Last but not least: we have an LA show coming up this Saturday at the Satellite! With a line up of cool bands, including San Francisco's Loquat, Professor Possessor and Spero, which will make for a great night. UG stage time 10pm.

Details below.  See you all this weekend!

Wednesday, April 25, 2012

JESUS BEER AND THE ANALOG BACKLASH (The latest adventures of United Ghosts)

Some days are like drugs and some drugs are like days. There's a point where you're not sure how much, or how long, it's been. You want more, you know it's best to stop, but more could be good....but maybe it's time to stop...you get the idea.

That was Wednesday night.

Monday we had played a show at the Satellite In Silverlake and, maybe for the first time, felt that “tour-tingle”, the thing that happens when bands play together a lot and you start rising above mere execution, the simple playing of notes, when you start going with something else... listening, weaving, finding it until finally a glimmer of magic appears, (over)tones that shouldn't really be there start swirling overhead, like a ghost in a polaroid picture. It's a good feeling.
After the show our video director Arian Soheili and I had a good, long chat about our next video. How to take things up a level, find a concept, and make it count. That's when it first came up. In Arian's words: “Content is going to shit! There's too much out there, all the filter is gone, everyone thinks they're an artist. People are constantly filming, texting, snapping away, missing huge chunks of life”. I'm paraphrasing here but you get the idea.

Strangely, I'd been having similar thoughts recently, ranging from mild irritation to what you could call anti-digital revenge fantasies. Basically, imagine the last scene in fight club, but with melting handheld devices and computers blowing up in place of houses. I'd write a soundtrack to that!
 
By the end of the night we were plotting some kind of an “Analog Backlash”. Or maybe that's a misnomer, it was more a “Manifesto on how to live in a digital revolution without swamping the planet with useless information and bad art.” Analog Backlash just sounds so much more catchy.

Next morning (alright, noon) I was picked up by Jason O to go up to SF to see Pulp. We had a good , uneventful ride and got there just in time for sunset beverages at our lovely host Aero's flat, an absolutely gorgeous piece of vintage San Francisco architecture equipped with a roof terrace and what can only be described as the punk rock version of a winter garden. All with amazing city views and the warmest hospitality.

It was there that it happened, again. Our hostess, 20-something, whip-smart, funny and a thoroughly modern human being, was giving the digital lifestyle a good going-over, before launching into a beautiful rant about her love of vinyl and hand-written letters: “Something has to happen, we can't live our lives like this, staring at screens”. So there it was again Things were getting interesting, but too soon we had to leave to make our show.

Pulp rocked, thrusted, sang about shagging, thrusted some more, then rocked some more. All in all an amazing performance. Well, apart from the bits I watched through the person in front's phone-in my face.

20 minutes after the last tune rang out, Jason O and I found ourselves on a late-night cigarette hunt. From having been on the road together a lot, we have a little bit of pride about finding things like food, smokes or our hotel room without any outside help, even if we happen to be a long way from home. And so we did.

After all that walking, though, we felt quite thirsty... and still had a bit of a way to go back to meet back up with our host. Mouths were getting dry, moods dampened...and that's when it appeared. A perfectly fine can of lager! Under a street light, on a corner, by itself, no-one in sight. We looked around. First for rightful owners, then for cameras, then for ghosts, then Ashton Kutcher...this was just too good. And no, no one was around, just us and “The Jesus-Beer”, as we now call it. “Ah probably warm and old”, one of us said. Jason went to touch it, pick it up, only to find the can ice-cold. I mean perspiring-ice-cold. Where could it have come from? What's the story here, what's the deal?
The deal is at some point you stop asking questions and drink. And that's what we did. Delicious, ice-cold Jesus-beer, tiding us over all the way back to that amazing rooftop, where the night went on the way it wanted to go... but that part stays in the punk rock winter garden.
Some days are like drugs, folks.... stay tuned for more news on upcoming shows, video and quite possibly more about the Analog Backlash.

Sincerely

Flying Dutchman

Monday, April 9, 2012

United Ghosts Review in L.A. Record!


Nice review of "Holes Into The Night" 7" by LA Record's D.M. Collins in the March issue. UG L.U.V. !

Monday, April 2, 2012

1000 DESERT MILES (Do we look like we'd blow up the Hoover Dam?)

United Ghosts are back from a little weekend stint of around 1000 miles through three states and a couple of buzzing shows. Got to Tempe AZ Friday night after a smooth desert ride with some awesome scenery. Upon arrival we were greeted by an amazing crowd and a round of beer. Not a bad start. The show was hot'n sweaty, kind of hard work but so much fun. Charming Horses set the scene and we had a great set, a fact we enjoyed even more since it was somewhat of a homecoming for Jason O., who once upon a time lived and played music here. Met some hip'n happening locals and made a few new die-hard fans. Thanks to all involved to and to Tempe Tavern for hosting.

After a great night enjoying the hospitality of Charming Horses' Ivan and his lovely wife, we were off down the Freeway, headed for Sin City, and a bit of trouble. On the way we checked out the Hoover Dam, which I'd never seen. It was here that we ran into a little hick-up in form of a (thankfully quick) search by a friendly-bored security checkpoint matey, who he soon realized our peaceful intentions and let us be on our way. ("Yes, we are a band". "No, no explosives in the bass drum"...yes) After that it was a gas to run around on this amazing, monumental piece of engineering. Somehow the 1930s construction and architecture seem straight out of the final reel of a James Bond movie. You know, when it all sparks and fizzes and there's a clock ticking... Maybe the guy in this photo would save the day?
After this little detour it was off to Vegas, one of our favorite tour stops for some time now. And this was no exception. Sin City in full effect. Blinky lights, everything running on Vegas time (a.i. very, very late) and the strange sense of freedom that comes with knowing that, however much you misbehave and get off your rocker, you'll probably meet someone who did a lot worse... and that's in the next 10 minutes.

Beauty Bar was bustling as we played to our biggest crowd here yet, preceded by a great blast of neo-mod energy from Acton Town (a band you'll definitely hear more about). Either we were getting better or the sound was just amazing, or both. Whichever it was, we had a great show and reception. The night was capped off in style by Close To Modern's Brit-rock inspired set. Thanks yet again to all Vegas kids and promoter James W, a true champion of the UG cause.

Actually, when I say the night was "capped off", I mean it was going into the next phase. This is where it all gets a little murky. We had a minor casualty in the entourage at the Golden Nugget, resulting in the manager calling a very efficient, if not very happy, late-night-clean-up crew. Then there were Shenanigans in Sha's room (Sha-nanigans?), a failed attempt to check out the shark tank and maybe go for a swim (don't ask) before we finally retired. When my plan to sleep in a little later the next morning was being foiled by kids running about in the room above…well, let's just say I made a firm noise complaint involving an upside-down floor-lamp and the Motel ceiling. The kids shut up but the lamp didn't quite make it.

Next up a FREE MONDAY at Satellite with residency act DUNIVEN. MON, April 16th.

Stay tuned for details!

Flying Dutchman

Thursday, March 8, 2012

BEYOND THE MAGIC GARAGE-STUDIO UPDATE

First of all, let's dispel a little myth here. We do not, like some blogs and press reports suggest, record EVERYTHING at the mysterious Garage studio at the end of a paranormal cul-de-sac. Yes, a lot goes on there (not all of it fit to be discussed here), but we also have an inspired and competent producer in Scott Gilman, of Hobby Shop Studios here in LA , who has been part of our sound from day one.

Check out the pic from yesterdays session. Scott's studio is a gorgeous place. All basics are done, now it's time to go back to said cul-de-sac, tune in to the signal beam and get weird. This is where things take shape and get a tad strange. Vintage synths and organs may be involved, the infamous Glockenspiel, a "Buddha Box" and many other devices.

Amidst all this we had to pass on this year's SXSW fest, but thought we'd treat ourselves to a little mini-tour closer to home. United Ghosts will be hitting Phoenix/Tempe AZ on March 30th and Las Vegas on March 31st (details to follow). Can't wait for Ghosts on the Road!

Flying Dutchman

Saturday, February 18, 2012

UNDER ORDERS TO ROCK…FROM THE LAW

Today at around 5:30, making my way to the recording studio, I was pulled over after making an illegal left turn. It was an honest mistake, one of those 4-7pm deals you have in LA. But honest mistakes usually still cost an arm and a leg and cause all kinds of grief. The officer, a courteous-but-no-nonsense African-American motorcycle cop, already had four other unfortunates waiting for their curbside judgement.

So he takes my license, and maybe gets a quick glimpse of my "01" artist's work Visa. He then tells me to wait "until he's dealt with everyone else". Getting a little bit edgy here. Why am I so special? It takes about 10 very long minutes to give everyone their tickets, then upon returning to my car, with my license, he asks:

"So what do you do for work here in the US?"

"I'm a musician".

Pause.

"Well, how did I know that?"

Alright, I'm ready for a car search, plus impound, or at least a $300 ticket at this moment. Instead he hands me my license back and tells me he will let me off without a citation today. Unreal. I'm mumbling something, a lot actually, about how much I really, really appreciate this and put the car in gear, as he leans in ever so slightly and says "Rock on my brother".

Shit! Really? I mean how can I not abide by the law now and do exactly as I'm told tomorrow. Album sessions start in the morning, and I've been ordered to rock.